The Politics of Race in Contemporary Film and Digital Practice

Thursday 18 May to Friday 19 May 2017

Goldsmiths, University of London (Day One)
Institute of Contemporary Arts (Day Two)

The Sociological Review is pleased to announce that it is supporting the Black Frim British Cinema Conference 2017:  The Politics of Race in Contemporary Film and Digital Practice.


Professor Sarita Malik, Brunel University

Dr Kara Keeling, University of Southern California

Whether we consider the rise of the concept of diversity, the on-screen representation of identities, the off-screen workforce, the production trends of film institutions, new forms of independent production opened up by new media, or film education and talent development, questions of race and ethnicity remain central to contemporary British film.

This conference will mark nearly 30 years since the original Black Film, British Cinema conference at the ICA and its subsequent publication, which has been a huge influence on scholars exploring race, culture and the politics of representation. Some of its core thinking by Kobena Mercer, Stuart Hall, Paul Gilroy and others remains an excellent point to consider what has, and has not, become of black and Asian film and TV production in the UK.

The aim of this two-day conference is to consider the politics of race in contemporary British cinema and visual practice and reflect on almost 30 years of black film production vis-a-vis the institutional, technological, textual, cultural and political shifts that have occurred during this period. The conference will welcome scholars, early career researchers, postgraduate students and practitioners working at the intersection of film, TV, Moving Image, Media and Communication studies, Sociology, Politics and Cultural Studies.

Register Here

Categories: Conferences

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