Category Mediated Matters

SI Top 10 #10 – Comics and Censorship: Is It Really about You?

News broke this past Friday of an American citizen arrested by a Canadian Customs officer at the US-Canada border after manga deemed to be child pornography was discovered on his laptop. Although no real children were harmed in the creation of drawn images such as those possessed by this man in his mid-twenties, he faces a minimum of a year in prison if convicted.

The US-based Comic Book Legal Defense Fund (CBLDF) is currently raising funds for his legal defense. This is the second time they have rallied around the legal plight of a private US citizen caught with ‘obscene’ manga in the past five years. The CBLDF was also involved in the case of Christopher Handley, an Iowa man who ultimately pleaded guilty and was convicted for ‘possession of obscene visual representations of the sexual abuse of children’.

Women and Muscles: a history in image

Venus with Biceps: a Pictorial History of Muscular Women by David L. Chapman and Patricia Vertinsky is an invaluable collection of rare images of athletic women in the 19th and 20th centuries. Maria Popova at Brainpickings has written a fantastic review which you can read here.

source: http://www.brainpickings.org/

One of the archival images in 'Venus with Biceps' (image source: Brainpickings.com)

P.S. Thanks to this, we have also discovered Brainpickings: definitely an online space we’ll be watching!

History of data journalism

The Guardian reminds us that data journalism is a little older than most of us think. Why is that significant? Because our historical memories are very short and it is important to be reminded of history in order to give food to our sociological imaginations! Here is an example of an informative data table on schools in Manchester, from 5 May 1821:

Source: The Guardian (click on the image three times to see the largest size

Read the article in the Guardian here

Review of ‘Soundbitten: The Perils of Media-Centered Political Activism’ by Sarah Sobieraj

In her introduction to Soundbitten: The Perils of Media-Centered Political Activism (NYU Press, 2011), sociologist and Tufts University professor writes, ‘I thought this would be a book about how activist groups use presidential elections as moments of political opening, but as I spent time with activists engaged in campaign-related work I came to realize that first and foremost this is a story about activists and the news media’ (2). While it perhaps comes as no surprise to those familiar with Habermasian public sphere theory that collective attempts to transform or reform civil society become involved with the mass media, her findings may shock the technologically optimistic: Media-orientated activist strategies seeking to draw attention to a political message almost always fail.

Comics and Censorship: Is It Really about You?

News broke this past Friday of an American citizen arrested by a Canadian Customs officer at the US-Canada border after manga deemed to be child pornography was discovered on his laptop. Although no real children were harmed in the creation of drawn images such as those possessed by this man in his mid-twenties, he faces a minimum of a year in prison if convicted.

The US-based Comic Book Legal Defense Fund (CBLDF) is currently raising funds for his legal defense. This is the second time they have rallied around the legal plight of a private US citizen caught with ‘obscene’ manga in the past five years. The CBLDF was also involved in the case of Christopher Handley, an Iowa man who ultimately pleaded guilty and was convicted for ‘possession of obscene visual representations of the sexual abuse of children’.

On Visually-Mediated Professional Lives

If you currently live in the United States, or are one of The Daily Show‘s horde of global fans, you have surely heard about the latest sex scandal involving New York Congressional Representative Anthony Weiner. If, though, you do not fall into either of those categories, there’s an off-chance that you do not yet know that Weiner recently got caught sending webcam photos of his, err, ‘weiner’ on Twitter to a young female follower. (Cue an interminable parade of puns and penis jokes in the media.) Further revelations of the Congressman’s online dalliances, some of them after his marriage—along with more ill-advised photos—were subsequently revealed.

Creative Labour is Still Labour

Yesterday I attended a book launch at the Cartoon Art Museum in San Francisco for the new graphic novel King of RPGs Vol. 2, written by Jason Thompson and illustrated by Victor Hao. The launch was a raucous, ad hoc affair in the middle of the exhibit space, plenty of greasy food and alcohol, a roleplaying game in the back room. I became acquainted with Jason several years ago and thought I ought to celebrate the start of my stay in the Bay Area by showing support. Yet what struck me most during the authors’ presentation was this time-lapsed video of Victor at work:

New Contribution to The Comics Grid

In lieu of a new Mediated Matters column this week, I direct you instead to my contribution to The Comics Grid, where I report on the Toronto Comic Arts Festival 2011, the premier indie comics event in Canada. In that context, I interrogate the rights and responsibilities entailed by public, free-for-all events. Please check it out!

Casey Brienza is a PhD candidate in Sociology at the University of Cambridge and Sociological Imagination’s Mediated Matters columnist.

The Unbearable Impossibility of Perfect Communication

In a powerful op-ed written for The New York Times back in late 2010, bestselling novelist Michael Cunningham writes, ‘I’ve come to understand that all literature is a product of translation’. He explains, and I quote the article at length:

I’ve learned, from working with translators over the years, that the original novel is, in a way, a translation itself. It is not, of course, translated into another language but it is a translation from the images in the author’s mind to that which he is able to put down on paper.

Here’s a secret. Many novelists, if they are pressed and if they are being honest, will admit that the finished book is a rather rough translation of the book they’d intended to write. It’s one of the heartbreaks of writing fiction. You have, for months or years, been walking around with the idea of a novel in your mind, and in your mind it’s transcendent, it’s brilliantly comic and howlingly tragic, it contains everything you know, and everything you can imagine, about human life on the planet earth. It is vast and mysterious and awe-inspiring. It is a cathedral made of fire.

But even if the book in question turns out fairly well, it’s never the book that you’d hoped to write. It’s smaller than the book you’d hoped to write. It is an object, a collection of sentences, and it does not remotely resemble a cathedral made of fire.

It feels, in short, like a rather inept translation of a mythical great work.

The translator, then, is simply moving the book another step along the translation continuum. The translator is translating a translation.

Cunningham is more perceptive than perhaps he admits to himself; he has learned to live without perfection. Translation isn’t perfect because no form of human communication–from speech to smoke signals–is perfect. As long as we cannot read each others’ minds, some amount of misunderstanding will always be inevitable. And so, seeking to transcend that unbridgeable gap between ‘you’ and ‘me’, ‘writer’ and ‘reader’, we promise ‘faithful’ translations of literary works.

The Cool Kindle? On How (Not) to Sell E-Books

While wandering through a vast wasteland of over 200 cable channels the other night I happened across a BBC America marathon of Top Gear. While that show is in itself ripe for sociological analysis, what stopped me dead in my proverbial tracks was one of the advertisements shown during a commercial break. It was for the Amazon e-book reader the Kindle, and it showed a photogenic male and female duo debating the relative merit of printed books versus Kindles. For your reference, I have embedded a streaming copy from the company’s YouTube channel below.