The notion of relational authoriality, which consistency demands I acknowledge emerged in conversations with Jana Bacevic, conveys a relational realist perspective on the question of authorship. It rejects the notion of the liberal individual as the origin of a text while continuing to insist that there is a definite causal story to be told about the emergence of any text, encompassing individuals and the relations between them. Relational authoriality stresses how creative production happens through interaction, direct or mediated, between individuals who care about what they discuss. People debate, discuss and digress about things that matter to them. It’s this concern to enter into dialogue, sometimes with the parties involved changing as a result of the process, which provides the relational underpinning to creative production. It might be that a particular individual takes forward this raw material, running with it and placing their mark on it in a way which leads to it being recognised as theirs. But this simple wouldn’t be possible without these prior networks, acting as the creative ecology within which individual authorship becomes feasible. Every completed act of authorship has its own history of emergence and accurate accounts of it will lead back to individuals, interactions and relations.
I was led to think back to this line of thought when reading Shattered: Inside Hilary Clinton’s Doomed Campaign. As is often the case, speeches and speech writing figure prominently in the book. I’ve read a lot of campaign books over the years and I’ve always been gripped by these details. In part this is because political speeches are such a crucial part of the politician’s craft, with their (perceived) success or failure being integral to the fluctuating fortunes of political careers. This isn’t simply an American phenomenon. Consider the acclaim which greeted David Cameron’s 2005 conference speech, delivered without a lectern or notes, widely seen to have tipped the leadership contest in his favour. We can see a parallel in Ed Milliband’s first conference speech as Labour leader. Much of the increasing ‘plausibility’ of Corbyn as a political leader, at least amongst the commentariat, rests on the increasingly polished way in which he delivers speeches.
Why does this matter so much? There are many reasons why accomplished delivery are valued in an age of media-saturated politics. But I wonder if a fetish of delivery reflects a denial of relational authoriality. In reality, all who have considered it must surely recognise that politicians do not straight-forwardly write their own speeches, allowing them to meaningfully claim ownership of them in an individualistic sense. These are team efforts, at best produced through careful collaboration between committed partners and at worst produced mechanically through committees. We can see the character of politicians, as well as the nature of the organisations they inhabit, reflected in how they approach these challenges. Contrast the dialogical collaboration between Obama and trusted aides with the byzantine, sometimes conflicting, structures which Clinton often established for speech writing. But these are subtle judgements, pointing to relational authoriality rather than individual authorship, which sit uneasily within the individualistic frame of ‘political leadership’. We fetishise delivery of speeches, as well as the perceived strength of the individuals who delivery them, as the spiralling complex of governance ever more outstrips the capacities of the ‘strong leaders’ we praise.